Hahahaha no kill us here with laugh.
Hmmmm I don’t really agree with it being ‘normal’ for any other film.
No director or editor worth half a dime will pick a ‘soft’ shot over an ‘in focus’ shot that has crappy acting in it; the bad acting shot will win ALL the time. Pls Sidney correct me if I’m wrong; one of the soft shots was a wide estab shot abi? – How did that happen?
So from their 3, 5 or 1000 crew members not one single person there has ever eaten enough carrots to have eyesight or had the balls to tell that raggedy-ass oyinbo DOP that his shot was out-of-focus – now that is just plain dumb.
If any of the questionable shots were shots they were ‘pulling focus’ on we’d be like “Yeah, pulling focus is hard man” but we get ya. It’s even harder without a focus puller. Secondly none of the shots were 'Risk-my-life-dangling-over-a-cliff-in-100mph-winds-with-bullets-whizzing-by-inches-away-in-order-to-get-an-emmy-award-winning-shot' kinda shots' they were all very simple 'zero' reason to be soft shots.
Note* - they did pull focus very well throughout the film.
Very true for any length of filmmaking. But I bet if you watch any episode of ‘101 movie mistakes’ you will never, ever see a ‘soft’ shot… crew in shot, boom in shot, mad reflections, bad acting and every other mistake YES, but a soft shot NO!
Simply because a soft shot is SEEN long before you roll camera... on a monitor, camera screen or viewfinder. It's almost impossible to miss.
Despite all I have said about the soft shots, it is STILL pretty much the most amazing Nigerian film I have EVER seen. The main reason is the story is soooooo incredibly well written. Check my one-million & posts – I always say Story is KING. The Anchor Baby story is a KING that will kick-ass anywhere in the world. Mega Kudos to all those involved (except the soft-shot guy lol)
I have run into the ‘the-white-man-must-be-right’ Nigerian mentality here in London many times on set. Where they get these bums from I have no idea. But they see it as a ‘bragging point’ – “My DOP was a white man”, “My lighting guy na white man”. We had a ‘French’ lighting guy on one set that didn’t know where lights should go or the difference between a CTB gel and a CTO gel. What????????!!!!!!!! Al I can say is… *sigh!*



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